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Jason Fuhrman

Worth 1000 Words | EP 69 | French Soldier Playing Piano

January 7, 2022 By Jason Fuhrman Leave a Comment

Sometimes stories don’t end up the way you want them. Sometimes you just need to let go. I think there are some interesting ideas in this one, though I would have liked them all to come together in the end.

Thanks for reading.

Artwork by Hetian Duan


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Andre saw red. A figure peeled away from the color but colored the same. It rounded a column of fire that underlit its faces like an imp, a fiend, a devil.

“Play me a song,” it said.

Andre’s ears rang, so he couldn’t hear Dubois while he choked on his own blood. The dying soldier’s eyes looked in Andre’s direction, then narrowed, frustrated that his brother in arms wasn’t hearing his dying words.

But I am not your brother, Andre thought.

Then he realized Dubois wasn’t upset. His mouth opened a crack to show white teeth. Not a smile or frown.

Then Dubois’s face creased into a map of lines, which served as troughs for the blood to catch and flow into, spreading across his entire face in ribbons.

Fractured glass, Andre thought. That’s what it looked like. And it helped him separate himself from the sight of a man he knew well, dying slowly and miserably. Something within Andre wouldn’t allow him to let Dubois go, put him on the ground, in the ground, where he should be.

Andre looked away to see if that would pass the time. Morning crept down the hillside at a glacial pace. Distant buildings, ruined but likely teeming with the enemy looked like tombstones.

Fists pummeled Andre’s chest. Weak, but there. As if Andre held an upset child who had freed his arms from his swaddling clothes.

“You are a child,” Andre said. He felt the words, distant. Four dull notes. He tried to place them, and when he couldn’t, he repeated the words. Still nothing.

Dubois did hear, however, because his face pinched more severely, flattening all the creases that had been river beds, which now flooded. His face was a crimson mask. Dubois thought keeping his mouth closed would prolong his life, but he soon discovered that was folly. He let his last breath out with a word or two, or maybe just a moan–Andre’s ears still held that solitary note that had been plucked by his sidearm, which acted as a pillow for poor Dubois, twisted in Andre’s fingers.

Andre lay Dubois down, his elbows locked from holding him for so long. His pistol fell free and lodged in the mud beside Dubois’s head.

“You are a child,” Andre said again. A hint of something there, bending with that persistent ringing. He would find it eventually.

Andre set off, keeping to the morning shadows, crawling when he had to, and that was fine with him because he was tired of carrying Dubois’s remains along with him.

He rested near some rubble piled high enough so he could sit up. The mud and grass hadn’t completely washed Dubois off him. He took off his coat and tossed it aside. Still some of Dubois on his undershirt, he stripped that off too.

“You are a child,” he said to his pale, concave chest.

“What’s that?”

Startled, Andre threw his head back against the rubble. The figure in front of him, whom he could hear so clearly, leaned over with a rifle anchored to his shoulder.

Recognizing some of his own by their dress, Andre scrambled to his discarded coat to provide evidence that he was one of them. A swift kick to the ribs foiled that plan, and Andre curled into a ball.

“Found his handiwork yonder,” one said.

“Sick bastard,” said another.

“Trying to get rid of the evidence are we?” The man with the rifle asked, closer now, the barrel of the gun pressed above the ear than rang most. “What makes a man turn on his own, eh?”

Andre was transfixed, not afraid. How could he hear them? He couldn’t hear his own voice, and he hadn’t been able to hear Dubois’s. Maybe he had died on the short journey, and these were angels or devils, permitted to speak in this afterlife he found himself in, which disappointingly looked just like real life. Andre pushed his hand into the mud. Felt like real life.

He looked up to the man and said, “You are a child.”

Andre heard nothing but dull tones. He punched the mud, which dirtied the rifleman’s boots.

The rifleman checked his boot, then tsked. He brought his rifle to Andre’s forehead, pushed it until Andre’s head met cold stone. His finger moved to the trigger. He closed one eye.

Andre threw up his muddied hand, batting away the rifle, which went off right above his ear. That single dull note wailed louder than ever, and the two men above him moved in slow motion, their contours expanding into sound waves that distorted the sky.

Andre raised his other hand from the mud to fend off the rifleman who fell toward him. In that hand was his pistol, and, timed perfectly, as if fate, it tunneled into the rifleman’s open mouth. The barrel’s impact at the back of his throat and the subsequent recoil, pulled the trigger.

Andre saw red. His ears rang. Figures peeled away from the color. He lay there like the dead for some time. And perhaps he was.

“You are a child,” he said. White noise pervaded.

Andre stumbled to one of the ruined buildings back the way he had come. He couldn’t face the light any longer.

Inside had been ransacked. Bullet holes dressing the walls as much as the crumbling plaster, pictures of framed people he greeted as he entered their home. He stepped onto a rug, which led to a piano, keys exposed, like teeth. Not a smile or frown.

He lay his hands on them, noticing unsoiled sleeves. His coat as well. When had he put on a coat? Then he felt a weight on his head, on which he found a helmet. He placed it atop the piano next to a frame of the two men who had been devils. They didn’t speak, but Andre supposed he owed them a song.

He only knew four notes, but he was sure they would help him find the others.

Filed Under: Uncategorized Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

Worth 1000 Words | EP 68 | Uchronium

December 31, 2021 By Jason Fuhrman Leave a Comment

Here’s a palate cleanser for last week. A story I didn’t figure out until the very end.

Thanks for reading.

Artwork by Reza Afshar


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

People think I’m crazy. A lot of stories start out that way, don’t they?

Let me start again.

I am crazy. Better? Good. Let’s go with that for now. Not really sure who I’m talking to, but talking is always good. Because this city has a voice of its own, and if you don’t drown it out with yours, you just might get swallowed up. Too cryptic for you? Not from around here?

Let me start again.

Clean.

Name’s Clay. Like the kind you can sculpt and fire. I’ve been fired too many times, because I drift. Veer off course. I have trouble focusing. Not totally my fault, though. Remember that thing I said about the city having a voice? Well, it’s true. It drones through choking skies, burrows into the concrete we think is so impenatrable, then inevitably finds its way into the wires, the pipes. Any conduit really. Then it finds you. Your wires and pipes. Then you’re done.

I’m not ready to be done, so I talk. And if I keep talking, maybe I’ll find it. Shut it off. If it can be shut off.

I’m outside. Inside is worse, with the porous walls and so on. Muttering under my breath, into my collar, moving in a direction. Unlike the others out now, of which there aren’t many. They stalk, stutter, and stumble. If they aren’t doing that, they’re hacking their lungs out on account of the air being poisonous. See those smoke stacks up there? Filtration they say. To right the wrongs of our forefathers and what they did.

I know better. The water and food supply first to dull our minds by way of the microbiome, hitching a one-way ride up our vagus nerve to tickle our minds silly. When we stopped drinking, they went for the only thing we had left.

But I found a loophole. I visualize that word every time I say it. Anyway, I found other things to breathe. A byproduct of the city’s voice. The interplay of reverberations and moisture, just the right amount of lack of light, and you have something that coats your lungs. A mucous membrane you can feel. You ever feel your lungs? Me either, until that byproduct caught fire in my office while I tended to the last client I ever had. A sweet lady looking for her son. That’s all I know, because I cut it short to stop the fire. A lungful or two later, and here we are.

I hope she found her son.

I make my way down the street, trip over a few who won’t make it, because I always keep my head up. Looking down is a bad idea.

Footsteps pound behind me, so I must have done something wrong. I don’t bother looking, just dart into an alley and hope it works itself out. I grew up on these streets, so it does. I know, I know. You’re thinking that’s a bad line from a bad movie. And maybe it is, but don’t they say something about life imitating art? Or is the other way around.

The footsteps diminish, as does the shouting. I allow myself a deep breath and throw in a stretch for good measure. That’s when the city’s voice really hits me. It knows I’m coming. I can feel its feelers. Everywhere. They take down a few poor souls just outside the alley. The alley is another conduit. Anything is, really. And the voice shuttles down the alley like a bullet down the barrel of a gun.

BAM.

Dead.

My hand is held up like I’m the one who fired. This city really has a hold, I tell you. I move on before its grip squeezes tighter.

I take my time, even though I shouldn’t. Not sure how long this coating in my lungs will last. Never ventured out this far, this long. I hunker down behind a car just as the city’s voice distorts the air. I follow it as it passes over and cuts a man’s head clean off. He was done for already, bumping into a wall again like he was stuck on a loop.

There’s a hole in the street ahead. The way things are getting out here, I decide to take my chances. At least if my lungs lose their protection, I’ll be able to survive a little longer. I think.

But this hole doesn’t lead to a sewer like you’d expect. Underneath is a corridor, and at the end are two double doors with glass. And I see it. The voice.

It’s shaped like nothing else, organic but synthetic, and smoke rides on strands, pumping all that is vile into the air. I see the air, the walls gone as I walk down the hall. Smoke stacks rise in the distance with sheets of dead-skin smoke weaving around them.

The ground falls away, and I’m on a cliff, with no room to gain momentum, so I stop. Nothing else to do.

“Mr. Doyle,” I hear behind me.

I don’t bother looking. I feel something on my neck, and I turn up my collar. Too late. I throw myself at this thing, to save myself, to save that poor old woman’s son, to save the world.

“Easy,” another voice but similar, like a copy.

Easy for you to say, I think as I pummel this sick machine with fists of blood. Then the colors change, no longer a smoldering sky. A color I can’t describe takes over, then another. So many they’re hard to distinguish. Clean and pure, with edges that remind me of the smoke strands, but just for a second, until they’re gone like a bad dream.

Then I see her, among all this. The sweet lady. She looks at me and smiles. I think I smile back. “Sorry about last time,” I say. “Tell me about your son again.”

Because I know I can do anything now.

“I found him,” she says with tears in her eyes.

Filed Under: Uncategorized Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

Worth 1000 Words | EP 67 | Ratty’s Christmas Party

December 24, 2021 By Jason Fuhrman Leave a Comment

Brace yourselves, because this is a very very VERY different story. I told you last week I was going light, so here it is.

Hope you all have a great Christmas.

Thanks for reading.

Artwork by Andy Walsh


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Appearances were everything. So said Ratty, who was rearranging his furniture, just like every Christmas, as he was expected to host the annual party, since he had the tallest tree, while the rest of the vermin dwelt in underground hovels. They always showed up in mobs, scurrying about, tracking in snow and mud and who knew what else.

Ratty brushed his hands together and coughed on the dust. He surveyed the space and its dozen or more chairs, tables set with food, the roaring fire, and hot chocolate steaming on the stove.

“Why do I do it?” he asked himself, because no one else was there. Just as he liked it.


“Why do we do it?” Finn called to Mottle, who had taken the lead, better abled to navigate this blizzard than Finn.

“What was that?” Mottle asked over his shoulder.

“Nothing.”

“Well, come on then. We’ll be late.”

Finn rested on a knot of root that hadn’t been covered in snow. He breathed hot air into his hands before stuffing them back into his pockets. “It’s not too late to turn back. I hear Remmy’s expanded her place. Four fireplaces. Set in a circle. No matter where you are, you’re nice and warm.”

Mottle tucked his gift bag under his arm so he could warm his hands, too. “We’ve been doing this for the last ten seasons. What would he think if no one showed up?”

Finn held up his hands.

“Go back, then,” Mottle said.

Not a bad idea. Finn imagined the heat from those four fireplaces, standing in the center of the room, getting hit at all angles. He’d turn slowly in place like a louse on a spit, cooking himself slow and nice.

But he couldn’t leave Mottle behind to deal with Ratty all alone. Ratty. What a name. Finn pictured his snooty face against his will, with that unnatural posture as if he didn’t have a joint in his body, simply made of one elongated bone.


Ratty’s back was killing him, in the same spot it always did. His spine had never been the same after the fall from installing that second window on the third floor. He’d only done it because it was the window the rest of them could see from the valley, so if it was off, they’d know not to bother him. He always kept it off. But not tonight.

The minnows were skinned, hot flesh fogging up the silver platters they lay upon. The hot chocolate was just right: a little too hot now, but the perfect temperature when the mischief arrived.

“Mischief,” Ratty said, rubbing his hunched back.


Mottle waited for Finn to catch up. That third window was visible now, through the iced branches and blistering wind.

“I thought you were going back,” Mottle said.

“I’m a glutton for–”

“Hot chocolate and pretzels?”

“For–”

“Chestnuts and butter cream sauce?”

“By the mercy of the forest folk, will you let me finish?”

Mottle gave a slight bow.

“Never mind,” Finn said and pushed by Mottle.


The clock must be wrong. Ratty got on his toes and knocked on its face. It wobbled, settled, and ticked just like it should. He used the fireplace poker as a cane, because he’d lost his days ago. All this work had muddled his thoughts. Placing everything just right. Timing everything just right. The tables near the fire, just so to keep the meat warm. The tables arranged in such a way to facilitate conversation but leaving enough space to partake in the hors d’oeuvres without seeming rude.

Ratty checked the time again. “Rude,” he said.

He sat down by the fire, hoping the heat would loosen up his back muscles. Then he was worried he might not be able to make it to his feet when the guests arrived, and they would be arriving any minute, he was sure of it. So, he stood before he got too stiff, then realized the poker had made a charcoal scribble on the floor. He could almost cry if he were capable. On his hands and knees he scrubbed. Twisted back or not, he couldn’t let them see his place like this. The messes were for them to make, not him. He never made messes.


Finn leaned into a fallen branch he’d been using as a walking stick. “Does this hill ever end?”

Mottle patted his back. “It hasn’t ever, dear friend. It’s your turn to carry the bag.”

“I can’t believe you got him a gift.”

“We got him a gift.”

“I don’t want any part of it.”

“Well, the least you could do is take it partly up this hill. Don’t worry, I will make sure he doesn’t see you with it. I know you have a reputation to maintain.”

Finn shook his head and took the bag. Of course it was something heavy. “I hope you brought him rocks.”

Near Ratty’s front door at the bottom of the twisted oak, Mottle retrieved the gift bag from Finn and approached the tree.

Finn remained behind, allowing Mottle to have the honors. Finn thought he might bash Ratty over the head with his walking stick if he saw his face right now.


The crunch of snow brought Ratty to the door. He stook up straight, painfully so, gritting through the pain, holding his head high. He grabbed the freshest mug of hot chocolate, and opened the door.

It was Mottle, holding a bag in his knobby hand. A gift.

“Merry Christmas,” Mottle said.

“Merry Christmas,” Ratty said.

“Where are the others?”

“There.”

“Just one?”

Finn saw he’d been spotted and waved his hand. He wanted nothing more than to stuff his head into snow.

But he didn’t, instead joining the two at the doorstep.

“What a pleasant gift,” Ratty said.

Mottle beamed until he realized Ratty was referring to Finn’s walking stick.

Finn shrugged and handed it over.

Ratty grabbed another mug. “I’m so happy you two could make it.”

“So are we,” Finn said.

Filed Under: Uncategorized

Worth 1000 Words | EP 66 | Pier No. 12

December 18, 2021 By Jason Fuhrman Leave a Comment

An amazing composition that immediately grabbed my eye. The POV here was essential in me choosing this one, as POV for writers is a huge draw. Figuring out who is telling the story in these pieces can be a challenge sometimes. Not with this one, however.

Open the window. Let the breeze in and enjoy.

Thanks for reading.

Artwork by Juhani Jokinen

https://www.artstation.com/artwork/B33BW8


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

I imagine myself waiting at the end of pier number twelve. Like the woman waiting there now, in the fog that is so terribly gray and thick and cold. I can feel it through the window. Why is it like this?

It didn’t used to be like this. I remember the sun, the sky, the clouds. They lazed in the sky like the fishermen at the end of the pier, who would kindly make way for the children, eager to see the day’s catch, only to become disappointed when they’d find empty buckets and pipe smoke.

I have watched it many times, from this exact spot. But no day has ever been like today. One would think it was night, but by my watch, it is exactly midday. The only light is the lamppost right above her and the simple wooden chair that has always been there. She looks so determined with her fine boots, long coat, and suitcase. I should tell her no boats are coming. If only it weren’t so cold. If only I had the courage to call to her from the window. If only it would open. Where could she be going?

I always wanted to go somewhere. Saved up as much as I could, but it was never enough. I had fine boots, like hers, an ample suitcase, like hers, even the coat–at least what I can gather from here. We could be travelling companions, her and I. Fit to see the world until our purses ran dry, discovering more similarities than our attire as we explore distant lands. When I close my eyes, I can picture it. When I step back from the window, I can feel it. But I choose not to, instead living vicariously through this woman who achieved what I never could.

My toes grow cold in leather boots, and I hug my coat to my breast to stave off the chill. I smell the sea through a numb nose, and I do believe I see lights on the horizon, and I do believe they are coming for me.

It feels good to smile. I am sure she is, too. If only she would turn, I could wave to her to wait for me. I could grab my boots and suitcase and coat, then join her. Perhaps have a nice conversation, standing close enough to keep each other warm while we wait for the approaching vessel.

And why not? I feel a tightness in my chest that is most pleasant, and a tear in my eye, a new smile pushing it free. Why not, indeed?

I rush around my spartan apartment to gather my things, for there is not much. I regard the room where I have lived so many years, with my back to the window. The bed, neatly made where I have made love but once to a gentle man who sold second-hand books from a stand on the wharf. The nightstand, where a picture of a girl rests. A young thing of maybe five years, who I claimed was my deceaced daughter when my landlord first tried to raise the rent. I shall confess this to the woman on the pier. I must, because we will share everything with each other. And finally, the wardrobe where all my things are kept.

I sit on my bed one last time, then lay down to see the ceiling one last time. The rotten wood there looses a drop of water. I sit up in time for it to miss me, impressed by my reflexes at this age, excited to hone them further on my journey.

I pick up the picture of the girl and go to the wardrobe. It is already open but dark, so I search for matches to light the candle I keep there for just such an occasion. There are no matches. There is no candle. I feel around blindly in the depths of the wardrobe. There is nothing.

How can this be? The tightness in my chest tightens to an upleasant degree, and air is hard to find. I decide to rest on my bed for a moment. Once the pain subsides, once my mind clears, I will find what I need. I must look more carefully. My excitement got the better of me, I realize, and I feel my smile return, the sensation in my chest returning to pleasantness.

I sit up, look at my socked feet, and wiggle my toes. They will be even warmer in those boots. I rub my shoulders. They will feel more at home in the coat. I flex my fingers, which are arthritic but can manage the weight of my suitcase. The woman on the pier might be much younger than me, and I need to show her I have a matching vitality to not disuade her from joining me.

Then I feel something. A sense she is gone, so I run to the window. Thankfully, she is still there. Exactly as I had left her.

I search the wardrobe again. Under my bed. The dark corners of my room, of which there are many. I find nothing.

Weeping, I sink to the floor. Then the door’s lock clicks. Its knob turns, and it opens. A young man enters, followed by my landlord. I demand what they are doing here. I tell them to leave. They do not listen. When I run out of breath, the young man says, observing my home with complacent eyes, “This will do.”

It will not do, I say. Still, they do not listen. At least they leave me. To find my things. I will find my things. But first, I must see her, to make sure she is still there. The ruckus could have driven her to another pier, for there are many. She is still there, but turned.

I can see her face. I can see all of her in the lamplight. Her belongings. They look like mine. She looks like me.

Filed Under: Uncategorized

Worth 1000 Words | EP 65 | Repeater

December 11, 2021 By Jason Fuhrman Leave a Comment

It feels good to be back. After my National Novel Writing month experience, I’m looking forward to getting back to short-form writing. I’ve come to appreciate the playground this thing has become. Bleakness is back for the month of December, but I guess it never really went anywhere. Tune in for a dark tale of two people who are trapped in a prison that they may just not realize they are in.

Thanks for reading.

Artwork by Aleksandr Eykert

https://www.artstation.com/artwork/9mlrGQ


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Shhhhh.

“Are you there?”

“I’m here.”

White noise. The lines. So many lines. They cross and tangle and spark.

“Come back.”

“I’m not gone.”

Snow looks soft, but it’s not. It’s sharp and biting and cold. So cold.

“Almost there. Do you trust me?”

Shhhhh.

“I didn’t say anything.”

“It wasn’t me.”

“Who was it?”

The sky looks empty. It’s gray and lifeless and endless. So endless.

“I love you.”

“I love you, too.”

“Do you feel it?”

“Not anymore.”

“Good.”

“I hear it takes a while.”

“What?”

“To feel again.”

The hills used to be sand. Used to guard the beach, where people swam and took in the sun. It turned their skin red. They regretted it later. But not now. Now they sit and talk or don’t. Now they hold hands or don’t. Now they cool themselves in the water or don’t.

“Do you remember?”

“I do. I think.”

Shhhhh.

Her feet lingered on the doorstep, on the doormat. It used to read WELCOME, but now it read CO, but mostly C. That letter was important. That, coupled with the age of her son. Their son. She shouldn’t think about him anymore.

He lingered on the edge of their property, near the chanlink fence that kept Cooper in the yard. Most of the time. He looked at the spot Cooper had escaped through some of the time. A clump of fur stuck to a broken wire. If there had been a breeze, the fur would have been pulled into its current and eventually fallen to the ground where it wouldn’t grow. But the wind didn’t know it wasn’t a seed.

“I’m cold.”

“I know.”

“How much longer, you think?”

“Awhile.”

“That’s not a distance.”

Shhhhh.

Quiet are the ones who speak. Loud are the one who are speechless.

“Ow.”

“What’s wrong?”

“It hurts. Was that you?”

“No. I would never hurt you.”

“It’s coming again. I can feel it.”

Clean your rooms. Stand up straight. Your parents were right. Godliness is simplicity. Brevity. Singularity. When you look out the window, never look down. Down is where the dead are buried.

“Why does it hurt?”

“I wish I could take the pain away.”

“Do you feel it?”

“Yes, but I wish I could take yours.”

“I love you.”

“I love you, too.”

Awhile was a distance, it turned out. A sign marked it. A coil of barbed wire ran the width of the street that was nearly gone. Patches of cobblestone came up for breath. Gray faces smashed together. Skulls grinding. Eyes crying. Teeth shattering.

He buried them. One by one. There was plenty of snow, and soon they were all covered. He looked back the way they had come, but couldn’t see past her.

She looked at him.

Shhhhh.

“What are you looking at?”

“I can’t see you.”

“Turn your head.”

“I can’t.”

“Neither can I.”

“I can hear you. At least I have that.”

“We can talk.”

“We can.”

A bridge far away. The haze wants it for itself. It almost has it. Where does it lead?

Shhhhh.

We are connected. We are one. Many is an illusion. Many is disaster. We must pull together. No matter the cost. No matter the pain. Because the pain we all share. You have no neighbors. You have no brothers, sisters, fathers, mothers. There is no need of those things any longer. We are connected. We are one. Many is an illusion.

He was born on a Sunday. Nineteen years ago. Some months. Some days. Some hours. But those didn’t matter. Decimal points only. That day was indeed sunny, like the day promised. They thought they’d name him Sunny, but decided that was a silly name. His name was Clifford, which was also a silly name, but it was after his grandfather, so it had history. It had a story.

Shhhhh.

“He would have liked it here.”

“Don’t say that. Please don’t say that.”

“But it’s true.”

“It doesn’t matter if it’s true. Can we talk about something else?”

“Remember when he only used black crayons, even though he had dozens more?”

“Stop it.”

“I took up coloring myself, since we had so many left over. It’s calming. I wish you would have tried.”

“I did.”

“Really?”

“When you weren’t looking.”

“Why were you ashamed?”

“I didn’t say that.”

“Well, embarrased, whatever.”

“Because I couldn’t see them.”

“I don’t understand.”

“That’s why I never told you.”

Shhhhh.

They found him by a lamppost. It was raining. And he stood beneath it, looking up at all the drops sprinting by at an angle. Almost continuous lines. He reached out to touch them with his gloved hands. That he had remembered his gloves almost made her cry, because that meant he didn’t run away in anger or sadness. He had left on a journery of discovery. She didn’t blame him. She let him discover until he was satisfied, until he turned around, toward home. Toward his family, who didn’t approach, because they didn’t need to.

Shhhhh.

It is said that there is man and woman. That is not true. There is only one. If you do not accept this fact then you will be tread upon, like the dead, because we will never look down. Always forward. Always to where the sun rises or sets, even though there is no sun. You have no son.

Shhhhh.

The snow was horrifying. She held in her scream. He was horrifying, from her view that she would soon forget when the next transmission came. In a sarcophagus of corroded steel, he stood. From his head, a tower of twisted wire rose that sparked from time to time. And from his left shoulder grew a cable connected to a lamppost, connected to her.

He faced the sign that had been the sign for them to stop. They had stopped for too long. She had just wanted to look over that hill. To see the sun again. They had a son.

Shhhhh.

“Are you there?”

“I’m here.”

Filed Under: Uncategorized

Worth 1000 Words | EP 64 | Who Are They Mom?

October 31, 2021 By Jason Fuhrman Leave a Comment

Thus ends the wonderful month of October and my horror series. Fret not, I plan on making this a yearly tradition. It also marks the end of these weekly stories for a month because I’m participating in National Novel Writing Month. So come hang out, pretty much daily. Man, this is going to be a lot of work.

Thanks for reading.

Artwork by Rafael Nascimento

https://www.artstation.com/artwork/3dyvwo

DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Walter stared at the dead leaves blowing through the open front door. They screeched across the tile entryway. He ducked behind his father’s chair, where the man had grown thin, gazing through it for days. Muttering things. Walter pressed his hands to his ears.

His mother wept in the kitchen. He couldn’t hear it, but seeing it was bad enough, so he turned back to the door his father had left open. Stepping around the dead leaves, he eventually found the knob. A brief shock to his fingertip wasn’t enough to scare him away, and he closed the door.

It was a silence he’d never experienced before. His mother was no longer crying, behind him on her hands and knees, collecting the leaves into neat stacks. She looked up at him a moment, then down at his hand he’d closed the door with. Her face twisted. “How could you?”

Walter kicked one of the stacks, then ran upstairs to his room. It was larger than he remembered, the window so far away, the ceiling tall and dark. His breath fogged the air. The window was open, but he couldn’t reach it. Instead, he reached for the lukewarm mug of cocoa he’d snuck up after dinner. Melted marshmallows clouded the surface. He shook it. A dark hole formed at the center, white marshmallow arms spiraling from it. He put it back in his drawer and turned the end table around to face the wall.

Walter went to bed without undressing. His wool sweater itched. His jeans burned. If he just went to sleep, his father would be back in the morning. A reset. A fresh start.

Walter couldn’t sleep, because he couldn’t close his eyes. Above him, growing from the ceiling, a black whirlpool formed. Pinned to his mattress, all he could do was gaze into the many-armed anomoly. His head wouldn’t turn. His eyes still wouldn’t close. It hypnotized him much like campfires did, and no matter how long he stared, giving himself over completely to the task, he could never find a pattern.

But this was different. It reminded him of the creature he’d found in the tidepools last summer. His mother had said it was a starfish, but he knew better. It was too precise, a spiral that seemed to want to twist his head from his neck. He stole it, discovered by his father after they got home. “Of sea and stars,” his dad had simply said, folding Walter’s fingers around his prize. Walter hid it under his mattress until the smell was so foul that he had to throw it out, except when he went to gather it, nothing was there but a black stain.

“Of sea and stars,” Walter said. Tears budded in his eyes. There was more to say. Why couldn’t he say it? He felt the meaning, saw the meaning. The starfish shape on his ceiling yawned black. White dots that didn’t twinkle but he knew to be stars floated in the depths he desperately wanted to fly with, swim with, exist with.

Then he found he could move. A single digit. His index finger. And it curled at his side, hooking his soaked bedsheet, fingernail cutting through it, even deeper, trying to burrow through his mattress. It found a spring, so sharp, and he yelped in pain, jerking upright. He waited for the whirlpool to take him away, his head so much closer to it now, but when he looked up, it was gone.

Walter’s bedroom door creaked open. “Wally?” His mother, hall light filtering through her nightgown while she rubbed her eyes.

“Bad dream,” Walter said.

She crossed the room. “Told you about hot cocoa so late.”

Walter’s face warmed.

“Did you brush your teeth?” His mother asked.

She grabbed his blanket, which he’d kicked to the floor, and pulled it over his body. One finger held the hem, his right index finger.

She put her hands on her hips. Her face contorted again, just like downstairs. When he blinked, the expression softened.

Then it came to him, a feeling. The whirlpool birthed again in his mind, its arms curling even more, to fine points, hundreds now.

She brushed his hair from his forehead and leaned in for a kiss. He smelled . . . life between her parted lips, writhing, microsopic but there, multiplying until it filled her mouth, and then he saw it. She was a monster, those organisms dripping from her mouth in black tendrils. He lashed out with the only weapon he had, the one bestowed to him by the whirlpool in his ceiling. His finger caught her lip, hooked it like a fish, nail gouging the soft tissue in her mouth, and she slapped his hand away.

She didn’t say a word, just stood there, nursing her wound. But her eyes said enough, moonlight casting them in silver.

“I’m sorry,” Walter said.

“How could you?” she said with half her mouth. She stormed out and slammed the door.

Walter slept. He woke before morning, pacing his room, restless, feeling his finger locked into that wretched hook but not dare looking. He shivered, feet gone numb. He tore the blanket from his bed and drew it around himself, continuing to pace. The movement should warm him up. Eventually. He saw his breath. It spiraled before his eyes.

The window, closer now, within reach, framed a raven. Silent, still, black orbs looking right at him. He shooed it away with his hooked finger. It fled into the sky, joining its brothers and sisters in a great flock that grew arms, so many, so long, so sharp.

At that window, morning peeked over the horizon. The front lawn was more leaves that grass. Among them stood men. Hoods drawn over all but one. In his hand, a hook. On his face, a smile. On his breath, words.

“Of sea,” his father said from below.

“And stars,” Walter finished, beaming. He went to get his mother. They had so much to show her.

Filed Under: worth 1000 words, Writing Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

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