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Worth 1000 Words | EP 68 | Uchronium

December 31, 2021 By Jason Fuhrman Leave a Comment

Here’s a palate cleanser for last week. A story I didn’t figure out until the very end.

Thanks for reading.

Artwork by Reza Afshar


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

People think I’m crazy. A lot of stories start out that way, don’t they?

Let me start again.

I am crazy. Better? Good. Let’s go with that for now. Not really sure who I’m talking to, but talking is always good. Because this city has a voice of its own, and if you don’t drown it out with yours, you just might get swallowed up. Too cryptic for you? Not from around here?

Let me start again.

Clean.

Name’s Clay. Like the kind you can sculpt and fire. I’ve been fired too many times, because I drift. Veer off course. I have trouble focusing. Not totally my fault, though. Remember that thing I said about the city having a voice? Well, it’s true. It drones through choking skies, burrows into the concrete we think is so impenatrable, then inevitably finds its way into the wires, the pipes. Any conduit really. Then it finds you. Your wires and pipes. Then you’re done.

I’m not ready to be done, so I talk. And if I keep talking, maybe I’ll find it. Shut it off. If it can be shut off.

I’m outside. Inside is worse, with the porous walls and so on. Muttering under my breath, into my collar, moving in a direction. Unlike the others out now, of which there aren’t many. They stalk, stutter, and stumble. If they aren’t doing that, they’re hacking their lungs out on account of the air being poisonous. See those smoke stacks up there? Filtration they say. To right the wrongs of our forefathers and what they did.

I know better. The water and food supply first to dull our minds by way of the microbiome, hitching a one-way ride up our vagus nerve to tickle our minds silly. When we stopped drinking, they went for the only thing we had left.

But I found a loophole. I visualize that word every time I say it. Anyway, I found other things to breathe. A byproduct of the city’s voice. The interplay of reverberations and moisture, just the right amount of lack of light, and you have something that coats your lungs. A mucous membrane you can feel. You ever feel your lungs? Me either, until that byproduct caught fire in my office while I tended to the last client I ever had. A sweet lady looking for her son. That’s all I know, because I cut it short to stop the fire. A lungful or two later, and here we are.

I hope she found her son.

I make my way down the street, trip over a few who won’t make it, because I always keep my head up. Looking down is a bad idea.

Footsteps pound behind me, so I must have done something wrong. I don’t bother looking, just dart into an alley and hope it works itself out. I grew up on these streets, so it does. I know, I know. You’re thinking that’s a bad line from a bad movie. And maybe it is, but don’t they say something about life imitating art? Or is the other way around.

The footsteps diminish, as does the shouting. I allow myself a deep breath and throw in a stretch for good measure. That’s when the city’s voice really hits me. It knows I’m coming. I can feel its feelers. Everywhere. They take down a few poor souls just outside the alley. The alley is another conduit. Anything is, really. And the voice shuttles down the alley like a bullet down the barrel of a gun.

BAM.

Dead.

My hand is held up like I’m the one who fired. This city really has a hold, I tell you. I move on before its grip squeezes tighter.

I take my time, even though I shouldn’t. Not sure how long this coating in my lungs will last. Never ventured out this far, this long. I hunker down behind a car just as the city’s voice distorts the air. I follow it as it passes over and cuts a man’s head clean off. He was done for already, bumping into a wall again like he was stuck on a loop.

There’s a hole in the street ahead. The way things are getting out here, I decide to take my chances. At least if my lungs lose their protection, I’ll be able to survive a little longer. I think.

But this hole doesn’t lead to a sewer like you’d expect. Underneath is a corridor, and at the end are two double doors with glass. And I see it. The voice.

It’s shaped like nothing else, organic but synthetic, and smoke rides on strands, pumping all that is vile into the air. I see the air, the walls gone as I walk down the hall. Smoke stacks rise in the distance with sheets of dead-skin smoke weaving around them.

The ground falls away, and I’m on a cliff, with no room to gain momentum, so I stop. Nothing else to do.

“Mr. Doyle,” I hear behind me.

I don’t bother looking. I feel something on my neck, and I turn up my collar. Too late. I throw myself at this thing, to save myself, to save that poor old woman’s son, to save the world.

“Easy,” another voice but similar, like a copy.

Easy for you to say, I think as I pummel this sick machine with fists of blood. Then the colors change, no longer a smoldering sky. A color I can’t describe takes over, then another. So many they’re hard to distinguish. Clean and pure, with edges that remind me of the smoke strands, but just for a second, until they’re gone like a bad dream.

Then I see her, among all this. The sweet lady. She looks at me and smiles. I think I smile back. “Sorry about last time,” I say. “Tell me about your son again.”

Because I know I can do anything now.

“I found him,” she says with tears in her eyes.

Filed Under: Uncategorized Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

Worth 1000 Words | EP 67 | Ratty’s Christmas Party

December 24, 2021 By Jason Fuhrman Leave a Comment

Brace yourselves, because this is a very very VERY different story. I told you last week I was going light, so here it is.

Hope you all have a great Christmas.

Thanks for reading.

Artwork by Andy Walsh


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Appearances were everything. So said Ratty, who was rearranging his furniture, just like every Christmas, as he was expected to host the annual party, since he had the tallest tree, while the rest of the vermin dwelt in underground hovels. They always showed up in mobs, scurrying about, tracking in snow and mud and who knew what else.

Ratty brushed his hands together and coughed on the dust. He surveyed the space and its dozen or more chairs, tables set with food, the roaring fire, and hot chocolate steaming on the stove.

“Why do I do it?” he asked himself, because no one else was there. Just as he liked it.


“Why do we do it?” Finn called to Mottle, who had taken the lead, better abled to navigate this blizzard than Finn.

“What was that?” Mottle asked over his shoulder.

“Nothing.”

“Well, come on then. We’ll be late.”

Finn rested on a knot of root that hadn’t been covered in snow. He breathed hot air into his hands before stuffing them back into his pockets. “It’s not too late to turn back. I hear Remmy’s expanded her place. Four fireplaces. Set in a circle. No matter where you are, you’re nice and warm.”

Mottle tucked his gift bag under his arm so he could warm his hands, too. “We’ve been doing this for the last ten seasons. What would he think if no one showed up?”

Finn held up his hands.

“Go back, then,” Mottle said.

Not a bad idea. Finn imagined the heat from those four fireplaces, standing in the center of the room, getting hit at all angles. He’d turn slowly in place like a louse on a spit, cooking himself slow and nice.

But he couldn’t leave Mottle behind to deal with Ratty all alone. Ratty. What a name. Finn pictured his snooty face against his will, with that unnatural posture as if he didn’t have a joint in his body, simply made of one elongated bone.


Ratty’s back was killing him, in the same spot it always did. His spine had never been the same after the fall from installing that second window on the third floor. He’d only done it because it was the window the rest of them could see from the valley, so if it was off, they’d know not to bother him. He always kept it off. But not tonight.

The minnows were skinned, hot flesh fogging up the silver platters they lay upon. The hot chocolate was just right: a little too hot now, but the perfect temperature when the mischief arrived.

“Mischief,” Ratty said, rubbing his hunched back.


Mottle waited for Finn to catch up. That third window was visible now, through the iced branches and blistering wind.

“I thought you were going back,” Mottle said.

“I’m a glutton for–”

“Hot chocolate and pretzels?”

“For–”

“Chestnuts and butter cream sauce?”

“By the mercy of the forest folk, will you let me finish?”

Mottle gave a slight bow.

“Never mind,” Finn said and pushed by Mottle.


The clock must be wrong. Ratty got on his toes and knocked on its face. It wobbled, settled, and ticked just like it should. He used the fireplace poker as a cane, because he’d lost his days ago. All this work had muddled his thoughts. Placing everything just right. Timing everything just right. The tables near the fire, just so to keep the meat warm. The tables arranged in such a way to facilitate conversation but leaving enough space to partake in the hors d’oeuvres without seeming rude.

Ratty checked the time again. “Rude,” he said.

He sat down by the fire, hoping the heat would loosen up his back muscles. Then he was worried he might not be able to make it to his feet when the guests arrived, and they would be arriving any minute, he was sure of it. So, he stood before he got too stiff, then realized the poker had made a charcoal scribble on the floor. He could almost cry if he were capable. On his hands and knees he scrubbed. Twisted back or not, he couldn’t let them see his place like this. The messes were for them to make, not him. He never made messes.


Finn leaned into a fallen branch he’d been using as a walking stick. “Does this hill ever end?”

Mottle patted his back. “It hasn’t ever, dear friend. It’s your turn to carry the bag.”

“I can’t believe you got him a gift.”

“We got him a gift.”

“I don’t want any part of it.”

“Well, the least you could do is take it partly up this hill. Don’t worry, I will make sure he doesn’t see you with it. I know you have a reputation to maintain.”

Finn shook his head and took the bag. Of course it was something heavy. “I hope you brought him rocks.”

Near Ratty’s front door at the bottom of the twisted oak, Mottle retrieved the gift bag from Finn and approached the tree.

Finn remained behind, allowing Mottle to have the honors. Finn thought he might bash Ratty over the head with his walking stick if he saw his face right now.


The crunch of snow brought Ratty to the door. He stook up straight, painfully so, gritting through the pain, holding his head high. He grabbed the freshest mug of hot chocolate, and opened the door.

It was Mottle, holding a bag in his knobby hand. A gift.

“Merry Christmas,” Mottle said.

“Merry Christmas,” Ratty said.

“Where are the others?”

“There.”

“Just one?”

Finn saw he’d been spotted and waved his hand. He wanted nothing more than to stuff his head into snow.

But he didn’t, instead joining the two at the doorstep.

“What a pleasant gift,” Ratty said.

Mottle beamed until he realized Ratty was referring to Finn’s walking stick.

Finn shrugged and handed it over.

Ratty grabbed another mug. “I’m so happy you two could make it.”

“So are we,” Finn said.

Filed Under: Uncategorized

Worth 1000 Words | EP 66 | Pier No. 12

December 18, 2021 By Jason Fuhrman Leave a Comment

An amazing composition that immediately grabbed my eye. The POV here was essential in me choosing this one, as POV for writers is a huge draw. Figuring out who is telling the story in these pieces can be a challenge sometimes. Not with this one, however.

Open the window. Let the breeze in and enjoy.

Thanks for reading.

Artwork by Juhani Jokinen

https://www.artstation.com/artwork/B33BW8


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

I imagine myself waiting at the end of pier number twelve. Like the woman waiting there now, in the fog that is so terribly gray and thick and cold. I can feel it through the window. Why is it like this?

It didn’t used to be like this. I remember the sun, the sky, the clouds. They lazed in the sky like the fishermen at the end of the pier, who would kindly make way for the children, eager to see the day’s catch, only to become disappointed when they’d find empty buckets and pipe smoke.

I have watched it many times, from this exact spot. But no day has ever been like today. One would think it was night, but by my watch, it is exactly midday. The only light is the lamppost right above her and the simple wooden chair that has always been there. She looks so determined with her fine boots, long coat, and suitcase. I should tell her no boats are coming. If only it weren’t so cold. If only I had the courage to call to her from the window. If only it would open. Where could she be going?

I always wanted to go somewhere. Saved up as much as I could, but it was never enough. I had fine boots, like hers, an ample suitcase, like hers, even the coat–at least what I can gather from here. We could be travelling companions, her and I. Fit to see the world until our purses ran dry, discovering more similarities than our attire as we explore distant lands. When I close my eyes, I can picture it. When I step back from the window, I can feel it. But I choose not to, instead living vicariously through this woman who achieved what I never could.

My toes grow cold in leather boots, and I hug my coat to my breast to stave off the chill. I smell the sea through a numb nose, and I do believe I see lights on the horizon, and I do believe they are coming for me.

It feels good to smile. I am sure she is, too. If only she would turn, I could wave to her to wait for me. I could grab my boots and suitcase and coat, then join her. Perhaps have a nice conversation, standing close enough to keep each other warm while we wait for the approaching vessel.

And why not? I feel a tightness in my chest that is most pleasant, and a tear in my eye, a new smile pushing it free. Why not, indeed?

I rush around my spartan apartment to gather my things, for there is not much. I regard the room where I have lived so many years, with my back to the window. The bed, neatly made where I have made love but once to a gentle man who sold second-hand books from a stand on the wharf. The nightstand, where a picture of a girl rests. A young thing of maybe five years, who I claimed was my deceaced daughter when my landlord first tried to raise the rent. I shall confess this to the woman on the pier. I must, because we will share everything with each other. And finally, the wardrobe where all my things are kept.

I sit on my bed one last time, then lay down to see the ceiling one last time. The rotten wood there looses a drop of water. I sit up in time for it to miss me, impressed by my reflexes at this age, excited to hone them further on my journey.

I pick up the picture of the girl and go to the wardrobe. It is already open but dark, so I search for matches to light the candle I keep there for just such an occasion. There are no matches. There is no candle. I feel around blindly in the depths of the wardrobe. There is nothing.

How can this be? The tightness in my chest tightens to an upleasant degree, and air is hard to find. I decide to rest on my bed for a moment. Once the pain subsides, once my mind clears, I will find what I need. I must look more carefully. My excitement got the better of me, I realize, and I feel my smile return, the sensation in my chest returning to pleasantness.

I sit up, look at my socked feet, and wiggle my toes. They will be even warmer in those boots. I rub my shoulders. They will feel more at home in the coat. I flex my fingers, which are arthritic but can manage the weight of my suitcase. The woman on the pier might be much younger than me, and I need to show her I have a matching vitality to not disuade her from joining me.

Then I feel something. A sense she is gone, so I run to the window. Thankfully, she is still there. Exactly as I had left her.

I search the wardrobe again. Under my bed. The dark corners of my room, of which there are many. I find nothing.

Weeping, I sink to the floor. Then the door’s lock clicks. Its knob turns, and it opens. A young man enters, followed by my landlord. I demand what they are doing here. I tell them to leave. They do not listen. When I run out of breath, the young man says, observing my home with complacent eyes, “This will do.”

It will not do, I say. Still, they do not listen. At least they leave me. To find my things. I will find my things. But first, I must see her, to make sure she is still there. The ruckus could have driven her to another pier, for there are many. She is still there, but turned.

I can see her face. I can see all of her in the lamplight. Her belongings. They look like mine. She looks like me.

Filed Under: Uncategorized

Worth 1000 Words | EP 65 | Repeater

December 11, 2021 By Jason Fuhrman Leave a Comment

It feels good to be back. After my National Novel Writing month experience, I’m looking forward to getting back to short-form writing. I’ve come to appreciate the playground this thing has become. Bleakness is back for the month of December, but I guess it never really went anywhere. Tune in for a dark tale of two people who are trapped in a prison that they may just not realize they are in.

Thanks for reading.

Artwork by Aleksandr Eykert

https://www.artstation.com/artwork/9mlrGQ


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Shhhhh.

“Are you there?”

“I’m here.”

White noise. The lines. So many lines. They cross and tangle and spark.

“Come back.”

“I’m not gone.”

Snow looks soft, but it’s not. It’s sharp and biting and cold. So cold.

“Almost there. Do you trust me?”

Shhhhh.

“I didn’t say anything.”

“It wasn’t me.”

“Who was it?”

The sky looks empty. It’s gray and lifeless and endless. So endless.

“I love you.”

“I love you, too.”

“Do you feel it?”

“Not anymore.”

“Good.”

“I hear it takes a while.”

“What?”

“To feel again.”

The hills used to be sand. Used to guard the beach, where people swam and took in the sun. It turned their skin red. They regretted it later. But not now. Now they sit and talk or don’t. Now they hold hands or don’t. Now they cool themselves in the water or don’t.

“Do you remember?”

“I do. I think.”

Shhhhh.

Her feet lingered on the doorstep, on the doormat. It used to read WELCOME, but now it read CO, but mostly C. That letter was important. That, coupled with the age of her son. Their son. She shouldn’t think about him anymore.

He lingered on the edge of their property, near the chanlink fence that kept Cooper in the yard. Most of the time. He looked at the spot Cooper had escaped through some of the time. A clump of fur stuck to a broken wire. If there had been a breeze, the fur would have been pulled into its current and eventually fallen to the ground where it wouldn’t grow. But the wind didn’t know it wasn’t a seed.

“I’m cold.”

“I know.”

“How much longer, you think?”

“Awhile.”

“That’s not a distance.”

Shhhhh.

Quiet are the ones who speak. Loud are the one who are speechless.

“Ow.”

“What’s wrong?”

“It hurts. Was that you?”

“No. I would never hurt you.”

“It’s coming again. I can feel it.”

Clean your rooms. Stand up straight. Your parents were right. Godliness is simplicity. Brevity. Singularity. When you look out the window, never look down. Down is where the dead are buried.

“Why does it hurt?”

“I wish I could take the pain away.”

“Do you feel it?”

“Yes, but I wish I could take yours.”

“I love you.”

“I love you, too.”

Awhile was a distance, it turned out. A sign marked it. A coil of barbed wire ran the width of the street that was nearly gone. Patches of cobblestone came up for breath. Gray faces smashed together. Skulls grinding. Eyes crying. Teeth shattering.

He buried them. One by one. There was plenty of snow, and soon they were all covered. He looked back the way they had come, but couldn’t see past her.

She looked at him.

Shhhhh.

“What are you looking at?”

“I can’t see you.”

“Turn your head.”

“I can’t.”

“Neither can I.”

“I can hear you. At least I have that.”

“We can talk.”

“We can.”

A bridge far away. The haze wants it for itself. It almost has it. Where does it lead?

Shhhhh.

We are connected. We are one. Many is an illusion. Many is disaster. We must pull together. No matter the cost. No matter the pain. Because the pain we all share. You have no neighbors. You have no brothers, sisters, fathers, mothers. There is no need of those things any longer. We are connected. We are one. Many is an illusion.

He was born on a Sunday. Nineteen years ago. Some months. Some days. Some hours. But those didn’t matter. Decimal points only. That day was indeed sunny, like the day promised. They thought they’d name him Sunny, but decided that was a silly name. His name was Clifford, which was also a silly name, but it was after his grandfather, so it had history. It had a story.

Shhhhh.

“He would have liked it here.”

“Don’t say that. Please don’t say that.”

“But it’s true.”

“It doesn’t matter if it’s true. Can we talk about something else?”

“Remember when he only used black crayons, even though he had dozens more?”

“Stop it.”

“I took up coloring myself, since we had so many left over. It’s calming. I wish you would have tried.”

“I did.”

“Really?”

“When you weren’t looking.”

“Why were you ashamed?”

“I didn’t say that.”

“Well, embarrased, whatever.”

“Because I couldn’t see them.”

“I don’t understand.”

“That’s why I never told you.”

Shhhhh.

They found him by a lamppost. It was raining. And he stood beneath it, looking up at all the drops sprinting by at an angle. Almost continuous lines. He reached out to touch them with his gloved hands. That he had remembered his gloves almost made her cry, because that meant he didn’t run away in anger or sadness. He had left on a journery of discovery. She didn’t blame him. She let him discover until he was satisfied, until he turned around, toward home. Toward his family, who didn’t approach, because they didn’t need to.

Shhhhh.

It is said that there is man and woman. That is not true. There is only one. If you do not accept this fact then you will be tread upon, like the dead, because we will never look down. Always forward. Always to where the sun rises or sets, even though there is no sun. You have no son.

Shhhhh.

The snow was horrifying. She held in her scream. He was horrifying, from her view that she would soon forget when the next transmission came. In a sarcophagus of corroded steel, he stood. From his head, a tower of twisted wire rose that sparked from time to time. And from his left shoulder grew a cable connected to a lamppost, connected to her.

He faced the sign that had been the sign for them to stop. They had stopped for too long. She had just wanted to look over that hill. To see the sun again. They had a son.

Shhhhh.

“Are you there?”

“I’m here.”

Filed Under: Uncategorized

Worth 1000 Words | EP 55 | Barn 4

August 28, 2021 By Jason Fuhrman Leave a Comment

Another gem with nuggets of storytelling fodder. These ones are rare, and I can’t say this discovery made the story exceptional, but that is my fault alone. So come, enter the ancient treeline to follow a man named after one of those which is absent.

Thanks for reading.

Artwork by Andrej Rempel

https://www.artstation.com/artwork/ZGwoa8

DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Birch trudged through a forest that had none. The behemoths around him had no names he knew. All they did was loom dark, layered with prehistoric scabs that had never been picked.

He rested at the foot of one and went to try at one of those scabs, because he couldn’t be the only one out here bleeding. Not one gave. Maybe they were scales, armor of creatures yet to be awakened.

His flannel was a mess of sticky blood, and when he undid the buttons, each one a painful excursion, his naked torso was bare to the moonlight that cast on him like broken glass. He moved just to be sure the illusion wasn’t his own infected flesh, because that’s how he felt. Like he wasn’t his own anymore.

The last barn hadn’t been right. Too close to town, too clean, too well kept. It had been the third barn. But it hadn’t been a charm. He always hated that saying. Made him think of what got him into this ordeal, but just as he honed in on that memory, it was gone, lost to the trees.

“I’m not myself anymore,” Birch said, his voice vibrations through a long string tied to his ear drum. It itched. He scratched it, then examined his finger. No blood there at least. No parasites wedged under his nail.

“Get up,” he said. And he did, pulled by a something. He held his slick gut in case something might fall out.

“Heal,” he said. But the command didn’t work. And why would it? He wasn’t like her. That thought, like the first, dropped into a pit of tar.

The forest opened just when he needed it to. His knees staked themselves into the damp soil, so deep he though he might fall through. No such luck.

The sky flowed in gritty textures he could feel on his skin, the wash of moonlight filtering enough to make him feel naked out here, exposed. Tree cover had been all he’d known since entering the forest. Corpses of gray trees, some fallen, some not, cut the scene harder than the moon. He shielded his eyes, then peeked under his hand, which cupped the top of a dilapidated roof of a barn with two open doors, like eyes on a head sunken to the nose. Between those doors a foul gash rose to the roof’s peak. Made of flaky skin, it was ready to be peeled away by the softest breeze.

The air was dead still. He was dead still. Maybe that was his fate, to be a bleached messenger to ward off others who’d been cursed enough to find themselves here. Fate changed its mind. He was on his feet now, cold and bare and afraid. A swell of warmth produced a trickle that ran down his leg. Piss or blood wouldn’t make a difference.

“Fourth time’s a fortune,” Birch said. A saying that would most likely never leave this forest or this barn, but he was okay with that. Sometimes you deserved to keep treasures for yourself.

And so he set foot toward this barn, knowing, just knowing, this was the right one. It had to be. Every stride took something more from him, and he had little to give.

He caught his breath at the western door, where he swore he felt a tinge of the sun’s touch. He looked to the east, hopeful dawn would arrive soon. Facing the darkness ahead held a fiercer pain than what ate at his belly. Ate. That’s what it felt like. Something there gumming his flesh, nibbling away the softest ends to not alert him to its acts.

He made a fire to take his mind off it, to create a dawn all his own, and maybe, just maybe, the smoke would bring help.

Birch couldn’t rest. He was drawn inside to where the fire didn’t reach. Hay and twigs and bird bones crackled underfoot. Small things scurried to hide, kicking up the smell of mildew and rot. He’d fit right in soon enough.

He ignored it all, making his way to the center, where the barn’s gash let in a pattern of silver shaped like rows of arrowhead teeth. That’s where he sat, then lay, then lurched as something spilled out of him. And he was relieved, not unlike puking your guts out, catching your breath on the edge of the toilet, or wherever you found yourself. That moment of calm when you thought everything might be all right.

It wasn’t. When Birch allowed his eyes to open, he saw black stains that were not shadow trailing from his wound to where he could not see. But then he did see. Twin pearls regarded him, narrowed. Then another pair, and another.

He curled up in the patch of silver, hoping they would take him.

A draft of breath as old and black as the forest said, “Four.”

There were three, not four. But it could have been his addled mind, praising his genius from moments ago. When he saw the finger or tendril or twisted claw separate itself from the rest of the black, pointing right at him, he realized he hadn’t imagined it at all.

“Four,” it said again, coming from three locations as one. Him?

He guffawed, hacking out a glob of something, relief washing over him, though a devil in three lurked inches away.

That black finger elongated, bent with the pop of dry wood, and pointed to where dawn would be soon but a fire was now.

“More,” said the voices.

He knew just what they meant, what he was, and where he was going, for the first time in days.

“You are yourself,” Birch said. And he was, but not alone, not singular.

The threads of that connection didn’t dwindle with distance, and he didn’t have to look back to know the three of the four he was part of were watching him, expectantly, from the hollow of an old barn.

Filed Under: Uncategorized Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

Worth 1000 Words | EP 54 | Old Man in the Morning

August 21, 2021 By Jason Fuhrman Leave a Comment

An image I just couldn’t pass up despite the challenge. An old hitman reading a book. What does it say? I had to know so decided to step into that room and look over his shoulder

Thanks for reading.

Artwork by Alexey Egorov

https://www.artstation.com/artwork/aYnv2L

DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

You always called them like you saw them, the old man read, sitting at the edge his bed of crepey sheets.

He turned the page with hands to match and read the next line.

“Don’t you dare,” he said to the words and the man who had written them, dead now, this book plucked from his corpse that hadn’t died easily enough.

I always thought the tattoo should have been bigger. I always thought you should have worn more sleeveless shirts, a tank top perhaps, to show it off. Isn’t that why we get them?

“No,” the old man said.

He turned another page, wondering why.

At first I thought I’d write you a letter, but then I worried I’d have too much to say, so I picked up this little journal, gridded, not ruled, because I found the tiny dots intriguing. It was difficult to resist the urge to connect them. To create mazes to get lost in. Where was I? Oh, yes. The journal. I fear with so many pages ahead of me, I may ramble. And God knows you don’t have much time left. I watch you from time to time, at the window you love so much, close to your arsenal that is a closet. How long did it take you to collect them all? If you added up their value, how many lives would it equal? I don’t mean in dollars, but in lives.

The old man took a moment for himself as the morning sun hit his back. It made his skin look worse. Gravity seemed to increase with the light. He looked over his shoulder and saw nothing but the wisps of hair sprouting from a single tattoo of a spade on shoulder that had borne so much.

He returned to the book but found it difficult to concentrate with his belt of knives tight around his midsection, as if it could be anything else. He slapped his belly like all old men seemed to do at some point in their lives. Few slapped a belly armored with a belt of knives, he supposed. The one thing that set him apart from all the other old bastards. That and the closet full of firearms, a kill count of, well, the number hadn’t meant anything for years so he’d lost track. He did like the way the sun fell over them all, except when it revealed their dissarray. Millimeters, but every one counted. He would have gotten up if his bones hadn’t fused together, hunched in this position for so long reading this infernal book. He tried to stand but it hurt to much. He tried to toss the book across the room, but that hurt more.

“Jesus,” the old man said.

You still keep Him on the wall don’t you? Did you appreciate the proper noun even though I think the whole thing is hogwash? And do you know why? It’s because I respect you, Julian. I respect you and all you are. All you believe. All you love. I’m not talking about religion, either. I’m sure you know that. You’re a smart boy. A big brain beneath all that hair you somehow managed to keep through decades of . . . well I don’t think I need to remind you of all you’ve been through, do I?

Julian’s scalp itched. The sensation dispersed like a thousand baby spiders escaping down his spine, across his shoulders, to raise the fine hair on his arms that had once been so coarse. Like him.

I apologize for bringing it up. I really do. I wish we could have had a conversation, but you don’t work like that. In and out, like a ghost. No, more like a rapist. Yes, that is the right word. Barging in, barging through until all is pulp. For a man with such soft hands, you’re a barbarian, Julian. But I’m not. That’s why I took care of him like you never could. I was gentle. He thanked me for it. Every night. With his eyes. With his mouth. Voiceless, but I knew. Body language holds more subtext and truth than words ever do. He was never much of a talker, anyway. And thank God, because his voice. Let’s just say it didn’t go with his face. Such a velvety peach it was. Go on. I’ll give you a moment.

Julian defeated his stiff limbs and got to his feet, watched his shadow grow to the man he used to be. Broad of shoulder and chest, a boy at his side, looking up to him for all the answers. He never had any. And in his frustration, he did exactly what this book said. Something out of place there. A word here. Innocent but infuriating. He punched, kicked, pummeled.

I hope you enjoyed your moment, Julian. I hope you saw him how you remember him, not how you found him. I pray those two aren’t the same. I did love him. You can have solace in that, I assure you. I know you did, too. In your own way. I can tell by your posture. How you face that wall with such conviction. A pity it’s just a wall. Can you face me?

Julian turned the page. This was the first book he’d ever finished, if one could consider this a book at all. The final page caught between the ridges on his thumb, but he was able to see through the thin paper. He was used to reading backward. In mirrors, in reflections of all kinds. Details were important, and he’d always loved to see the world through new perspectives.

Would you look at that, Julian read. We made it to the end.

Julian turned to the window, taking in the sun and all its glory. Taking in what was coming at twenty-six hundred feet per second. Taking in what he deserved but had defied for so many years. He saw no shadows, only light. That was fine, because he had no answers.

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