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is a picture worth 1000 words

Worth 1000 Words | EP 69 | French Soldier Playing Piano

January 7, 2022 By Jason Fuhrman Leave a Comment

Sometimes stories don’t end up the way you want them. Sometimes you just need to let go. I think there are some interesting ideas in this one, though I would have liked them all to come together in the end.

Thanks for reading.

Artwork by Hetian Duan


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Andre saw red. A figure peeled away from the color but colored the same. It rounded a column of fire that underlit its faces like an imp, a fiend, a devil.

“Play me a song,” it said.

Andre’s ears rang, so he couldn’t hear Dubois while he choked on his own blood. The dying soldier’s eyes looked in Andre’s direction, then narrowed, frustrated that his brother in arms wasn’t hearing his dying words.

But I am not your brother, Andre thought.

Then he realized Dubois wasn’t upset. His mouth opened a crack to show white teeth. Not a smile or frown.

Then Dubois’s face creased into a map of lines, which served as troughs for the blood to catch and flow into, spreading across his entire face in ribbons.

Fractured glass, Andre thought. That’s what it looked like. And it helped him separate himself from the sight of a man he knew well, dying slowly and miserably. Something within Andre wouldn’t allow him to let Dubois go, put him on the ground, in the ground, where he should be.

Andre looked away to see if that would pass the time. Morning crept down the hillside at a glacial pace. Distant buildings, ruined but likely teeming with the enemy looked like tombstones.

Fists pummeled Andre’s chest. Weak, but there. As if Andre held an upset child who had freed his arms from his swaddling clothes.

“You are a child,” Andre said. He felt the words, distant. Four dull notes. He tried to place them, and when he couldn’t, he repeated the words. Still nothing.

Dubois did hear, however, because his face pinched more severely, flattening all the creases that had been river beds, which now flooded. His face was a crimson mask. Dubois thought keeping his mouth closed would prolong his life, but he soon discovered that was folly. He let his last breath out with a word or two, or maybe just a moan–Andre’s ears still held that solitary note that had been plucked by his sidearm, which acted as a pillow for poor Dubois, twisted in Andre’s fingers.

Andre lay Dubois down, his elbows locked from holding him for so long. His pistol fell free and lodged in the mud beside Dubois’s head.

“You are a child,” Andre said again. A hint of something there, bending with that persistent ringing. He would find it eventually.

Andre set off, keeping to the morning shadows, crawling when he had to, and that was fine with him because he was tired of carrying Dubois’s remains along with him.

He rested near some rubble piled high enough so he could sit up. The mud and grass hadn’t completely washed Dubois off him. He took off his coat and tossed it aside. Still some of Dubois on his undershirt, he stripped that off too.

“You are a child,” he said to his pale, concave chest.

“What’s that?”

Startled, Andre threw his head back against the rubble. The figure in front of him, whom he could hear so clearly, leaned over with a rifle anchored to his shoulder.

Recognizing some of his own by their dress, Andre scrambled to his discarded coat to provide evidence that he was one of them. A swift kick to the ribs foiled that plan, and Andre curled into a ball.

“Found his handiwork yonder,” one said.

“Sick bastard,” said another.

“Trying to get rid of the evidence are we?” The man with the rifle asked, closer now, the barrel of the gun pressed above the ear than rang most. “What makes a man turn on his own, eh?”

Andre was transfixed, not afraid. How could he hear them? He couldn’t hear his own voice, and he hadn’t been able to hear Dubois’s. Maybe he had died on the short journey, and these were angels or devils, permitted to speak in this afterlife he found himself in, which disappointingly looked just like real life. Andre pushed his hand into the mud. Felt like real life.

He looked up to the man and said, “You are a child.”

Andre heard nothing but dull tones. He punched the mud, which dirtied the rifleman’s boots.

The rifleman checked his boot, then tsked. He brought his rifle to Andre’s forehead, pushed it until Andre’s head met cold stone. His finger moved to the trigger. He closed one eye.

Andre threw up his muddied hand, batting away the rifle, which went off right above his ear. That single dull note wailed louder than ever, and the two men above him moved in slow motion, their contours expanding into sound waves that distorted the sky.

Andre raised his other hand from the mud to fend off the rifleman who fell toward him. In that hand was his pistol, and, timed perfectly, as if fate, it tunneled into the rifleman’s open mouth. The barrel’s impact at the back of his throat and the subsequent recoil, pulled the trigger.

Andre saw red. His ears rang. Figures peeled away from the color. He lay there like the dead for some time. And perhaps he was.

“You are a child,” he said. White noise pervaded.

Andre stumbled to one of the ruined buildings back the way he had come. He couldn’t face the light any longer.

Inside had been ransacked. Bullet holes dressing the walls as much as the crumbling plaster, pictures of framed people he greeted as he entered their home. He stepped onto a rug, which led to a piano, keys exposed, like teeth. Not a smile or frown.

He lay his hands on them, noticing unsoiled sleeves. His coat as well. When had he put on a coat? Then he felt a weight on his head, on which he found a helmet. He placed it atop the piano next to a frame of the two men who had been devils. They didn’t speak, but Andre supposed he owed them a song.

He only knew four notes, but he was sure they would help him find the others.

Filed Under: Uncategorized Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

Worth 1000 Words | EP 68 | Uchronium

December 31, 2021 By Jason Fuhrman Leave a Comment

Here’s a palate cleanser for last week. A story I didn’t figure out until the very end.

Thanks for reading.

Artwork by Reza Afshar


DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

People think I’m crazy. A lot of stories start out that way, don’t they?

Let me start again.

I am crazy. Better? Good. Let’s go with that for now. Not really sure who I’m talking to, but talking is always good. Because this city has a voice of its own, and if you don’t drown it out with yours, you just might get swallowed up. Too cryptic for you? Not from around here?

Let me start again.

Clean.

Name’s Clay. Like the kind you can sculpt and fire. I’ve been fired too many times, because I drift. Veer off course. I have trouble focusing. Not totally my fault, though. Remember that thing I said about the city having a voice? Well, it’s true. It drones through choking skies, burrows into the concrete we think is so impenatrable, then inevitably finds its way into the wires, the pipes. Any conduit really. Then it finds you. Your wires and pipes. Then you’re done.

I’m not ready to be done, so I talk. And if I keep talking, maybe I’ll find it. Shut it off. If it can be shut off.

I’m outside. Inside is worse, with the porous walls and so on. Muttering under my breath, into my collar, moving in a direction. Unlike the others out now, of which there aren’t many. They stalk, stutter, and stumble. If they aren’t doing that, they’re hacking their lungs out on account of the air being poisonous. See those smoke stacks up there? Filtration they say. To right the wrongs of our forefathers and what they did.

I know better. The water and food supply first to dull our minds by way of the microbiome, hitching a one-way ride up our vagus nerve to tickle our minds silly. When we stopped drinking, they went for the only thing we had left.

But I found a loophole. I visualize that word every time I say it. Anyway, I found other things to breathe. A byproduct of the city’s voice. The interplay of reverberations and moisture, just the right amount of lack of light, and you have something that coats your lungs. A mucous membrane you can feel. You ever feel your lungs? Me either, until that byproduct caught fire in my office while I tended to the last client I ever had. A sweet lady looking for her son. That’s all I know, because I cut it short to stop the fire. A lungful or two later, and here we are.

I hope she found her son.

I make my way down the street, trip over a few who won’t make it, because I always keep my head up. Looking down is a bad idea.

Footsteps pound behind me, so I must have done something wrong. I don’t bother looking, just dart into an alley and hope it works itself out. I grew up on these streets, so it does. I know, I know. You’re thinking that’s a bad line from a bad movie. And maybe it is, but don’t they say something about life imitating art? Or is the other way around.

The footsteps diminish, as does the shouting. I allow myself a deep breath and throw in a stretch for good measure. That’s when the city’s voice really hits me. It knows I’m coming. I can feel its feelers. Everywhere. They take down a few poor souls just outside the alley. The alley is another conduit. Anything is, really. And the voice shuttles down the alley like a bullet down the barrel of a gun.

BAM.

Dead.

My hand is held up like I’m the one who fired. This city really has a hold, I tell you. I move on before its grip squeezes tighter.

I take my time, even though I shouldn’t. Not sure how long this coating in my lungs will last. Never ventured out this far, this long. I hunker down behind a car just as the city’s voice distorts the air. I follow it as it passes over and cuts a man’s head clean off. He was done for already, bumping into a wall again like he was stuck on a loop.

There’s a hole in the street ahead. The way things are getting out here, I decide to take my chances. At least if my lungs lose their protection, I’ll be able to survive a little longer. I think.

But this hole doesn’t lead to a sewer like you’d expect. Underneath is a corridor, and at the end are two double doors with glass. And I see it. The voice.

It’s shaped like nothing else, organic but synthetic, and smoke rides on strands, pumping all that is vile into the air. I see the air, the walls gone as I walk down the hall. Smoke stacks rise in the distance with sheets of dead-skin smoke weaving around them.

The ground falls away, and I’m on a cliff, with no room to gain momentum, so I stop. Nothing else to do.

“Mr. Doyle,” I hear behind me.

I don’t bother looking. I feel something on my neck, and I turn up my collar. Too late. I throw myself at this thing, to save myself, to save that poor old woman’s son, to save the world.

“Easy,” another voice but similar, like a copy.

Easy for you to say, I think as I pummel this sick machine with fists of blood. Then the colors change, no longer a smoldering sky. A color I can’t describe takes over, then another. So many they’re hard to distinguish. Clean and pure, with edges that remind me of the smoke strands, but just for a second, until they’re gone like a bad dream.

Then I see her, among all this. The sweet lady. She looks at me and smiles. I think I smile back. “Sorry about last time,” I say. “Tell me about your son again.”

Because I know I can do anything now.

“I found him,” she says with tears in her eyes.

Filed Under: Uncategorized Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

Worth 1000 Words | EP 64 | Who Are They Mom?

October 31, 2021 By Jason Fuhrman Leave a Comment

Thus ends the wonderful month of October and my horror series. Fret not, I plan on making this a yearly tradition. It also marks the end of these weekly stories for a month because I’m participating in National Novel Writing Month. So come hang out, pretty much daily. Man, this is going to be a lot of work.

Thanks for reading.

Artwork by Rafael Nascimento

https://www.artstation.com/artwork/3dyvwo

DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Walter stared at the dead leaves blowing through the open front door. They screeched across the tile entryway. He ducked behind his father’s chair, where the man had grown thin, gazing through it for days. Muttering things. Walter pressed his hands to his ears.

His mother wept in the kitchen. He couldn’t hear it, but seeing it was bad enough, so he turned back to the door his father had left open. Stepping around the dead leaves, he eventually found the knob. A brief shock to his fingertip wasn’t enough to scare him away, and he closed the door.

It was a silence he’d never experienced before. His mother was no longer crying, behind him on her hands and knees, collecting the leaves into neat stacks. She looked up at him a moment, then down at his hand he’d closed the door with. Her face twisted. “How could you?”

Walter kicked one of the stacks, then ran upstairs to his room. It was larger than he remembered, the window so far away, the ceiling tall and dark. His breath fogged the air. The window was open, but he couldn’t reach it. Instead, he reached for the lukewarm mug of cocoa he’d snuck up after dinner. Melted marshmallows clouded the surface. He shook it. A dark hole formed at the center, white marshmallow arms spiraling from it. He put it back in his drawer and turned the end table around to face the wall.

Walter went to bed without undressing. His wool sweater itched. His jeans burned. If he just went to sleep, his father would be back in the morning. A reset. A fresh start.

Walter couldn’t sleep, because he couldn’t close his eyes. Above him, growing from the ceiling, a black whirlpool formed. Pinned to his mattress, all he could do was gaze into the many-armed anomoly. His head wouldn’t turn. His eyes still wouldn’t close. It hypnotized him much like campfires did, and no matter how long he stared, giving himself over completely to the task, he could never find a pattern.

But this was different. It reminded him of the creature he’d found in the tidepools last summer. His mother had said it was a starfish, but he knew better. It was too precise, a spiral that seemed to want to twist his head from his neck. He stole it, discovered by his father after they got home. “Of sea and stars,” his dad had simply said, folding Walter’s fingers around his prize. Walter hid it under his mattress until the smell was so foul that he had to throw it out, except when he went to gather it, nothing was there but a black stain.

“Of sea and stars,” Walter said. Tears budded in his eyes. There was more to say. Why couldn’t he say it? He felt the meaning, saw the meaning. The starfish shape on his ceiling yawned black. White dots that didn’t twinkle but he knew to be stars floated in the depths he desperately wanted to fly with, swim with, exist with.

Then he found he could move. A single digit. His index finger. And it curled at his side, hooking his soaked bedsheet, fingernail cutting through it, even deeper, trying to burrow through his mattress. It found a spring, so sharp, and he yelped in pain, jerking upright. He waited for the whirlpool to take him away, his head so much closer to it now, but when he looked up, it was gone.

Walter’s bedroom door creaked open. “Wally?” His mother, hall light filtering through her nightgown while she rubbed her eyes.

“Bad dream,” Walter said.

She crossed the room. “Told you about hot cocoa so late.”

Walter’s face warmed.

“Did you brush your teeth?” His mother asked.

She grabbed his blanket, which he’d kicked to the floor, and pulled it over his body. One finger held the hem, his right index finger.

She put her hands on her hips. Her face contorted again, just like downstairs. When he blinked, the expression softened.

Then it came to him, a feeling. The whirlpool birthed again in his mind, its arms curling even more, to fine points, hundreds now.

She brushed his hair from his forehead and leaned in for a kiss. He smelled . . . life between her parted lips, writhing, microsopic but there, multiplying until it filled her mouth, and then he saw it. She was a monster, those organisms dripping from her mouth in black tendrils. He lashed out with the only weapon he had, the one bestowed to him by the whirlpool in his ceiling. His finger caught her lip, hooked it like a fish, nail gouging the soft tissue in her mouth, and she slapped his hand away.

She didn’t say a word, just stood there, nursing her wound. But her eyes said enough, moonlight casting them in silver.

“I’m sorry,” Walter said.

“How could you?” she said with half her mouth. She stormed out and slammed the door.

Walter slept. He woke before morning, pacing his room, restless, feeling his finger locked into that wretched hook but not dare looking. He shivered, feet gone numb. He tore the blanket from his bed and drew it around himself, continuing to pace. The movement should warm him up. Eventually. He saw his breath. It spiraled before his eyes.

The window, closer now, within reach, framed a raven. Silent, still, black orbs looking right at him. He shooed it away with his hooked finger. It fled into the sky, joining its brothers and sisters in a great flock that grew arms, so many, so long, so sharp.

At that window, morning peeked over the horizon. The front lawn was more leaves that grass. Among them stood men. Hoods drawn over all but one. In his hand, a hook. On his face, a smile. On his breath, words.

“Of sea,” his father said from below.

“And stars,” Walter finished, beaming. He went to get his mother. They had so much to show her.

Filed Under: worth 1000 words, Writing Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

Worth 1000 Words | EP 63 | Vampire

October 23, 2021 By Jason Fuhrman Leave a Comment

I don’t care for vampires. Strange, I know, considering so many people do and there have arguably been more adaptations of that myth than any other. However, they bore me. But this artwork, it was so damn good, I had to tackle it.

Thanks for reading.

Artwork by Bruce Conners

https://www.artstation.com/artwork/3dyvwo

DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

She had eyes Magda could look into forever. A new color. One Magda couldn’t place. Elusive, it shifted just as she was about to recognize it. Magda chased it, let her gaze relax because it was the only time she could capture it, though ethereal, otherworldly. Unnameable.

Lisbeth. Her name. Almost a whisper even when you shouted it. A faint touch of tongue to teeth, then lips, then teeth again. It ended like it began. And Magda never grew tired of saying it, shouting it, whispering it. Laughing it. As she did now while Lisbeth made a joyful face at her. One that didn’t change like her eyes.

Magda had changed. Would Lisbeth love her all the same? She hoped. She prayed. She asked.

“Do you love me?”

Lisbeth answered with the curve of her lips, the rise of her cheeks, the gleam in her eyes.

“I’m glad,” Magda said. “So glad.”

Magda went to hold Lisbeth, but her hands remained fused to her back, fingers tied in knots. She didn’t deserve to touch her, though she desperately wanted to. As much as Madga loved their home, it was no place for them any longer.

“Will you come with me?” Magda asked. “To the places we spoke of? Well, the places I spoke of. I know. I never shut up, do I? I can’t help it, you see. The walls here are so dark, even though the windows are so big and bright. Can’t you see?”

Magda went to the window that overlooked the cobbled yard now puddled from last night’s rain. She couldn’t help but imagine them beetles, those stones, creeping around in shallow water, bumping against each other, going nowhere. She rubbed the gooseflesh on her forearms.

“So cold,” Magda said. She put another blanket over Lisbeth who lay on the bed, watching her. “You don’t look it. I’d climb in there with you, but I fear I may bring a chill.”

Lisbeth smiled, her eyes batting long lashes makeup would never need touch.

Magda chose the bedside. Her hand rested close to Lisbeth, and she felt her warmth, walked her fingers closer, their tips prickling with heat. She stopped short, still afraid of how Lisbeth might react. To Magda’s surprise, Lisbeth grasped her two elongated fingers, and squeezed.

Magda’s heart fluttered, and for the first time, she felt her body produce heat, flooding her face, and bleeding from her heart. She thought she might die, though she knew that impossible.

From across the room, Lisbeth could have lied about her love, observing Magda in shadow. But here, in the window’s soft light dripping through cloudcover, presenting all her flaws evenly, flatly, plainly, Lisbeth could see her for who she was. What she was.

“Do you love me?” Magda asked again, cold cheeks returning where there should be a blush’s kindle. A conflagration, really. Magda had never been one to hide her emotions, and now was no different. She pulled her hand from Lisbeth’s and held it to her bosom. Two nails scratched her chest, longer than the others. They belonged to the two fingers Lisbeth had held.

Magda prayed for them to disappear, for Lisbeth to not have noticed, to not have been hurt. My God, had she hurt Lisbeth?

Magda hid her hands behind her back again, turning to Lisbeth and her pale hand, which was thankfully, blessedly unscathed.

“Thank God,” Magda breathed, but that breath became pain, and she grasped her throat, then punched her chest when that didn’t work. After a time, the thorns around her neck eased.

“I’m pathetic, aren’t I?” Magda said. “Assuming you’ll love me, go away with me, when you have all this.”

Rain patterned the window. An unsettling sound. How Magda imagined the legs of those cobble beetles stabbing the ground fiercely. She looked at the nails that had scratched her chest. Longer now, as were the others. She opened her other hand and found the same.

“Can you imagine ‘forever’?” Magda asked, fingers spreading across the blanket toward Lisbeth. “I’ve tried, but I cannot, even though it is possible. Now. I want to continue to try, though. Will you try with me?”

The question that had been tearing her up inside since she’d entered the room from the long night, leaving poor Lisbeth on her own. What a terrible person she was to do such a thing. But it had been for Lisbeth, going out, to provide for her with the only thing she had. Her womanhood. Something had changed those plans. With such selfishness. Did Magda now possess that selfishness?

Her arms held Lisbeth now, uncaring of her shame.

“Lisbeth?” Magda said. Her name didn’t feel right, Magda’s tongue was pricked twice. At the beginning, and at the end.

Magda lowered herself to Lisbeth, waiting for the girl to deny her love, her advances. But she didn’t. She just looked at her with those spectral eyes. “Forever.”

Magda’s selfishness sank into Lisbeth’s neck, so soft and sweet and succulent. That succulence was too much for Magda. It filled her mouth, her throat, spilling. Yet still she drank. Feeling more alive than she had when she was.

“Forever,” Magda said. She felt it, excited to open her eyes to see if Lisbeth felt it, too.

Lisbeth was a husk. Impossibly small. Slathered in red. Utterly still.

Magda vomited the blood out, over the wound, into Lisbeth’s mouth, desperately shoveling it back in. It wouldn’t go back in.

Magda picked her up. Held her as she had when Lisbeth was first born. Skin to skin. Magda tore her shirt down, hoping Lisbeth would find sustenance there. Find life there.

Lisbeth was weightless. Lifeless. Magda gently laid her back on the bed and tried to cover her and the blood with the blankets. She only made it worse and abandoned the futile effort, tripping back to where she had first spoken to Lisbeth from across the room, the mirror not cold because her back was colder.

Magda sobbed, tasting ‘forever.’

Filed Under: worth 1000 words, Writing Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

Worth 1000 Words | EP 62 | The Sacrifice

October 17, 2021 By Jason Fuhrman Leave a Comment

The horror continues. This one reminded me of the classic The Texas Chainsaw Massacre. A film that is dear to my black heart. Despite the inspiration, I had a tough go at this one. But sometimes you need to dig deep to find the story.

Thanks for reading.

Artwork by Victor Hugo Harmatiuk

https://www.artstation.com/artwork/bKGQ6d

DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

Marlow caught his breath on the petrified stump his Daddy used to kill chickens on, staring at a chicken he needed to kill.

The old fowl had to be the one. The last one. Sure of foot, the house had told him. Simple of mind. Sour of song.

“Marla.” Daddy’s voice said her name clearly, through six feet of soil. “With that brain and that limp, had to name her after you.” The last of the flock.

Marlow wrung his blood-stained hands. Some flaked off, not much, but what did he rolled between his fingers into an inch-long needle. He aimed it at Marla, who gobbled down a grub before squawking a success that made Marlow’s ears ring like they did when Daddy’d smart him with the flat of his hand.

Marlow looked at the flat of his hands, striped in what he had done, all of the ones he’d done in. But the wrong ones. Daddy had been simple of mind and sour of song, but not sure of foot. Marlow had been too anxious for him to fit the bill. Thought it might have been two birds with the one stone that was an axe. Oh, well.

He threw a stone that wasn’t an axe at Marla and she gracefully dodged it.

Sure of foot, it had told him. Had to be the one. For he had nothing left. But by God he couldn’t catch her.

Marlow punched the soil, rusty with old blood. He thought of that blood, feeding those grubs that old chicken fed on. Consuming its brothers, sisters, and children. A foul fowl. No wonder the house wanted her.

“Whatcha do, Low?”

Marlow winced at the sound, ear still ringing. It was Billy, lip puffed with chew, drooling and grinning at him with brown teeth. Just what he needed.

“Fixin’ to kill that chicken,” Marlow said.

“Old Marla?” Billy’s voice dropped a few octaves to match Daddy’s. “But she pretty. She Billy friend. One friend.” Bill held up two fingers.

“She is the one,” Marlow said. “The last one, and the one.”

“Billy no see.” He put both hands over his eyes.

Marlow looked at the boy. “Suppose it’s for the best. You go on now.”

Billy scratched his collar bone, then pointed at Low. “Billy still have more friend.”

Marlow’s bones ached as he stood. He thumped them hard to shut them up, then crouched low in the grass, stepping on the green patches to keep quiet. Marla was busy getting fatter, beak-deep in the ground, her plume of tail feathers so wide he just couldn’t miss.

A few feet away, Marlow went for it, diving with his arms out, because if one missed, he’d have one more, but swiped air twice instead, face planting just where Marla had been a moment ago, tasting more than mud.

Billy was there, laughing so hard he almost choked on his chew. “Low eat poop. Low eat poop.”

Marlow spit out undigested seed and wiped his mouth. He tried and tried again, the chicken always evading him. It had circled back, now standing on the stump as if to mock him.

“Marla think Low funny,” Billy said. “Billy, too.”

Marla’s wings flapping, beak squawking, even worse that before, was a barrage that Marlow couldn’t take. His hands wouldn’t stop it, so he tried to add his wailing on top, but all it did was make the bird squawk louder. Finally, he thrust his head into the mud, but down there all he heard was Daddy. “Named her after you.”

Consciousness fading, Marlow thought he’d won. Daddy was silent, Marla was silent, and most importantly, the house was silent. Then he felt a pounding on his back and saw daylight.

Billy’s head floated with the clouds. Then Marla flew with them. “Got her, Low.”

Marlow sat up, head spinning. He closed his eyes until the world settled, and sure enough, there was Billy, Marla held by her tail feathers, thrashing.

Marlow snatched the chicken from the boy before she started her sour song again, and he barreled to the stump, scooping up the axe that he’d sharpened to split stone, slammed her to that petrified wood and brought that blade down, losing a thumb knuckle like a potato peel, but barely noticing because of the voice inside him that soughed across the yard from the black windows, through the rotting teeth of porch rails, chilling his blood because blood is what it needed. A sacrifice is what it needed.

“You done it, Low,” Billy said. “But Billy helped.”

Rigid, ignoring the boy, Marlow stomped back to the house with headless Marla spilling a trail the entire way.

The house spoke to him most in the kitchen, where its exposed veins spread from around the window above the sink, pulsing in time with his own heartbeat.

Marlow waited for it to answer, waited for it to tell him he had appeased it and it would let him rest, let him die. But all he heard was the drip of Marla on the hardwood.

“She was the one, damn you,” Marlow hissed. But anger quickly devolved into grief, and Marlow pounded the hardwood as he had pounded the soil outside, the house repeating its demands in time, bringing him a pain that would have killed him if the house would let him die.

Sure of foot. Simple of mind. Sour of song.

Then a terrible, knife-sharp sound came from the window. Marlow crawled across the floor to the counter, where the knives were, where he would try to silence everything, anyway.

Through the smudged glass, Billy pranced in the yard, somersaulting, bounding over the old fence and scrambling up a tree with hands that had caught Marla. Singing something sour.

“Sure of foot,” Marlow said. “Sour of song.” He didn’t have to say the third.

Marlow regarded the infection that spread up the walls, through him.

“Billy,” Marlow shouted from the porch. “I got something else I need help with.”

Filed Under: worth 1000 words, Writing Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

Worth 1000 Words | EP 61 | A Ghost in Daylight

October 11, 2021 By Jason Fuhrman Leave a Comment

Revisiting an artist who inspired a story way back in Episode 5. Similar in composition but different in scope. I hope this contributes nicely to your October reading.

Thanks for reading.

Artwork by Alexander Mandradjiev

https://www.artstation.com/artwork/ELd3J4

DISCLAIMER: This work has not been edited beyond what was done in the video. The goal is to capture a story in a short amount of time and keep it as raw as possible.

The Story

I see her in the daylight. Only in the daylight. Muted and lifeless debris caught in invisible currents I cannot feel. Can she feel? As it stirs around her like particulate in a glass of water, shed from a lemon, perhaps. Her sourness is apparent in the way she looks at me. Does she look at me?

I look. What I see is this. A plain woman in a plain dress standing on a square of folded sheet not much wider than her shoulders, which sit narrowly on her frame despite the voluminous material resting there.

I see her when I rest. When my feet are tired from the walks from seat to window. Not far, but far enough for me. My bones are like splinters, the doctors say. That makes me think of the trees I love so much but have to admire from afar. Through the window that brings me this lovely apparition in the daylight. Only in the daylight.

I wonder why she visits me, but moreso why she doesn’t come in the night when all ghosts are rumored to haunt. I’ve tried to ask her, but she doesn’t respond. She is as rigid as those trees I miss. But the trees sway in the wind, their dead leaves piled outside the room where my bones don’t allow me to reach. Another comes through the open window. Eight hundred and one.

Foolish games like this occupy my time, which has slowed to the pace of a single grain of sand through an hourglass. The motes and down and outdoor intruders move faster. Around her. Not through her. Like the light. It paints her such a hue, both pretty and pale, showing me nothing of the dark wall that rises behind her. But it only ever reaches her hips, never rising above, no matter the position of the sun. I believe she has a power over it. I believe she has a power over me.

How I wish she would respond in some way. The simplest indication that she knew I was here, for her, for both of us, to hear her stories of pain and pleasure alike. I would worship her, if she wished. Perhaps I do worship her. I grow embarrassed when I think such thoughts, but such thoughts aren’t in my control, as she is not in my control.

How I wish I had control. Of her, of my splintered bones, so we may stand in the daylight together, both of us naked to the open sky, where I can see her face free of shadow so I may make her smile. I limp to the window to see the sky, but only make it halfway, each step the sound of matchsticks snapping. I wait there, until the pain subsides, my back to her, which makes me ache.

I tried to look under her dress once, to see what we all yearn for, what I haven’t had in some time. It was a mistake. The platform upon which she stands, a table perhaps, a workbench, or even a bed–I’m not sure of its origin–is too high for me. And I should have realized this. Stairs are painful enough. But, no, I had to inspect her with my desires. My sick desires.

God or gravity or some other force that wanted to see me fall made me fall. My hungry head upturned to see her secrets, vertigo took hold. I lay there for a day or two. Piss and shit myself for a day or two. With quite possibly the worst view of her you could imagine. The angle I lay in showed me nothing but her tailoring, which in this position wasn’t the flattering kind. No curled finger, no sculpted jaw, no lock of hair. I was cursed to look at the patterns of her funeral dress, and those patterns frightened me. Flowers twisting into bear traps, tipped with blood and bone. Vertical lines stretching into gallows fit with nooses the size of my neck. Gauze as thick as the cold fog that makes me hurt so much.

These thoughts have taken me back from the window, to my seat where I can admire her again in relative comfort. How I wish she would smile. How I wish her eyes would twinkle with recognition. How I wish I could climb up that accursed, absurd, pointless platform and face her. Hold her. Tell her I am the one she has come for, because I enjoy the daylight, too.

Then it hits me. The folded sheet. Has she ever stood there without it? That sheet has always been there, left behind by the previous owners for no known reason, though I hadn’t questioned it, so excited to procure a home in the countryside I had admired since a child. But when my bones fell to disease, it became my prison, one I could only admire through a window when my body allowed me the luxury.

I think on this matter for some time, study where the dust begins and ends beneath the sheet, mentally mark it’s exact placement, every fold, because it must be perfect, because she is perfect, because she deserves perfection.

When the sun goes to sleep, I go to work. I gather it up, carry it like a fragile relic to the spot near me, so she can be near me when the sun rises again.

I don’t sleep. I can’t sleep.

The sun finally wakes. It spills across the floor like fresh milk. I want to lap it up. Then it disappates, diffuses, as clouds cross the sky. I curse those clouds, and they flee. They fled to a wind. The shutters clatter against the window, the open window. Wind hurls her sheet out of the room, where the dead leaves gather. Where I cannot reach. Where no daylight reaches. Where daylight never reaches.

I stand. I fall. I break. My broken view is of the corner of a white sheet in shadow.

Filed Under: worth 1000 words, Writing Tagged With: a picture is worth 1000 words, concept art, creative writing, fiction, fiction time-lapse, fiction timelapse, fiction writing, free writing, is a picture worth 1000 words, novel, short stories, short story, short story challenge, writing, writing challenge, writing time-lapse, writing timelapse

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